He climbed on anyway.
That night at the Spoon, things were louder than usual, despite Mafia's being in stir and a few of the Crew out on bail and their best behavior. Saturday night toward the end of the dog days; after all.
Near closing time, Stencil approached Profane, who'd been drinking all night but for some reason was still sober.
"Stencil heard you and Rachel are having difficulties."
"Don't start."
"Paola told him."
"Rachel told her. Fine. Buy me a beer."
"Paola loves you, Profane."
"You think that impresses me? What is your act, ace?" Young Stencil sighed. Along came a bartender's rinkydink, yelling "Time, gentlemen, please." Anything properly English like that went over well with the Whole Sick Crew.
"Time for what," Stencil mused. "More words, more beer. Another party, another girl. In short, no time for anything of importance. Profane. Stencil has a problem. A woman."
"Indeed," said Profane. "That's unusual. I never heard of anything like that before."
"Come. Walk."
"I can't help you."
"Be an ear. It's all he needs."
Outside, walking up Hudson Street: "Stencil doesn't want to go to Malta. He is quite simply afraid. Since 1945, you see, he's been on a private manhunt. Or womanhunt, no one is sure."
"Why?" said Profane.
"Why not?" said Stencil. "His giving you any clear reason would mean he'd already found her. Why does one decide to pick up one girl in a bar over another. If one knew why, she would never be a problem. Why do wars start: if one knew why there would be eternal peace. So in this search the motive is part of the quarry.
"Stencil's father mentioned her in his journals: this was near the turn of the century. Stencil became curious in 1945. Was it boredom, was it that old Sidney had never said anything of use to his son; or was it something buried in the son that needed a mystery, any sense of pursuit to keep active a borderline metabolism? Perhaps he feeds on mystery.
"But he stayed off Malta. He had pieces of thread: clues. Young Stencil has been in all her cities, chased her down till faulty memories or vanished buildings defeated him. All her cities but Valletta. His father died in Valletta. He tried to tell himself meeting V. and dying were separate and unconnected for Sidney.
"Not so. Because: all along the first thread, from a young, crude Mata Hari act in Egypt - as always, in no one's employ but her own - while Fashoda tossed sparks in search of a fuse; until 1913 when she knew she'd done all she could and so took time out for love - all that while, something monstrous had been building. Not the War, nor the socialist tide which brought us Soviet Russia. Those were symptoms, that's all."
They'd turned into 14th Street and were walking east. More bums came roving by the closer they got to Third Avenue. Some nights 14th Street can be the widest street with the tallest wind in the earth.
"Not even as if she were any cause, any agent. She was only there. But being there was enough, even as a symptom. Of course Stencil could have chosen the War, or Russia to investigate. But he doesn't have that much time.
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